The designs of Daniel van der Velden & Maureen Mooren were aimed at users, readers, viewers, and not ‘customers’. This meant that the user did not have to be convinced immediately, but rather was invited to talk to the work. Being aware that there is no design which can be seen independent from ‘information overload’ (from which design is in part profiting, in part suffering), singular, simple solutions were seen as reactionary responses to a compexity that is too difficult for design alone to overcome. In that sense Archis was not a solution from the client’s self-defined inside, but one based on their outside, a relentlessly full magazine store from which different typologies were quoted and stolen.
Also in this collection
Ootje Oxenaar
Banknotes
Dutch coins
Jean François van Royen
Het boek van PTT
De Verbinding
Wild Plakken
Telephone book
Susanne Heynemann
Kerstnummer Grafisch Nederland
RANGE
Marten Jongema
Dick Elffers
Jan Bons
Gert Dumbar
Jan van Toorn
Lex Reitsma
Anthon Beeke
Mevis & van Deursen
Holland Festival
Archis
Studio Machine
Het Nieuwe Instituut