The Modest Master's Mesmerizing Screen Print Shop
Source collection The Modest Master's Mesmerizing Screen Print Shop
Left over Look 01
Kees Maas, Billboard poster, Left Over Look, 1999-2003
Left Over Look 02
Kees Maas, Billboard poster, Left Over Look, 1999-2003
Left Over Look 03
Kees Maas, Billboard poster, Left Over Look, 1999-2003
Toos van Aken Achter de Ramen
Kees Maas has been living in the BO-01 housing complex since 1997, where he manages his own small exhibition space "Behind the Windows" on the corner of Feike de Boerlaan / Borneolaan. In addition to programming artists and helping with the installation of exhibitions, he also designs and prints the announcement posters.
Eric van Nimwegen Achter de Ramen
Kees Maas has been living in the BO-01 housing complex since 1997, where he manages his own small exhibition space "Achter de Ramen" on the corner of Feike de Boerlaan. In addition to programming artists and helping with the installation of exhibitions, he also designs and prints the announcement posters.
Bara Lockefeer
Kees Maas has been living in the BO-01 housing complex since 1997, where he manages his own small exhibition space "Achter de Ramen" on the corner of Feike de Boerlaan. In addition to programming artists and helping with the installation of exhibitions, he also designs and prints the announcement posters.
Portret Drukken I
Kees Maas, Billboard poster, from the series Portret drukken, 1999-2003
Portret Drukken II
Kees Maas, Billboard poster, from the series Portret drukken, 1999-2003
Portret Drukken III
Kees Maas, Billboard poster, from the series Portret drukken, 1999-2003
Hart I
Kees Maas, Billboard poster, from the series Hart, 1999-2003
Hart II
Kees Maas, Billboard poster, from the series Hart, 1999-2003
Hart III
Kees Maas, Billboard poster, from the series Hart, 1999-2003
3 t/m 8 I
Kees Maas, Billboard poster, from the series 3 t/m 8, 1999-2003
3 t/m 8 II
Kees Maas, Billboard poster, from the series 3 t/m 8, 1999-2003
3 t/m 8 III
Kees Maas, Billboard poster, from the series 3 t/m 8, 1999-2003
Charlotte Mouwens
Charlotte Mouwens Achter de Ramen, A2, 2016
Moniek Schrijver
Moniek Schrijver Achter de Ramen, A2, 2015
20 Studenten Karlsruhe
20 Studenten v/d Staatliche Akademie der Bildenden Künste Karlsruhe, A2, 2012
Gelezen DNA I
Kees Maas, Billboard poster, from the series Gelezen DNA, 1999-2003
Gelezen DNA II
Kees Maas, Billboard poster, from the series Gelezen DNA, 1999-2003
Gelezen DNA III
Kees Maas, Billboard poster, from the series Gelezen DNA, 1999-2003
Untitled I
Kees Maas, Billboard poster, from the series Untitled, 1999-2003
Untitled II
Kees Maas, Billboard poster, from the series Untitled, 1999-2003
Untitled III
Kees Maas, Billboard poster, from the series Untitled, 1999-2003
Talentenshow
With one day sometimes three programs it is no longer possible to give all activities of Paradiso its own poster, but between 1968 and 1996 there was plenty of design and printing in the basement of the pop temple. Among the many artists who designed Paradiso posters, Martin Kaye (1932-1989) is most notable: he was the longest serving designer and screen printer of Paradiso (1972-1983) and had a decisive influence on defining the image of Paradiso . He was succeeded by Kees Maas, Max Kisman and Marten Jongema. The concerthall is not demonstrably empty or fuller by a good poster on the street. However, as Kees Maas puts it: “You can see posters as an expression of an institution that takes its role in culture seriously. They show that a program actually exists. ”.
Israel Vibration
With one day sometimes three programs it is no longer possible to give all activities of Paradiso its own poster, but between 1968 and 1996 there was plenty of design and printing in the basement of the pop temple. Among the many artists who designed Paradiso posters, Martin Kaye (1932-1989) is most notable: he was the longest serving designer and screen printer of Paradiso (1972-1983) and had a decisive influence on defining the image of Paradiso . He was succeeded by Kees Maas, Max Kisman and Marten Jongema. The concerthall is not demonstrably empty or fuller by a good poster on the street. However, as Kees Maas puts it: “You can see posters as an expression of an institution that takes its role in culture seriously. They show that a program actually exists. ”.
Five Blind Boys of Alabama
With one day sometimes three programs it is no longer possible to give all activities of Paradiso its own poster, but between 1968 and 1996 there was plenty of design and printing in the basement of the pop temple. Among the many artists who designed Paradiso posters, Martin Kaye (1932-1989) is most notable: he was the longest serving designer and screen printer of Paradiso (1972-1983) and had a decisive influence on defining the image of Paradiso . He was succeeded by Kees Maas, Max Kisman and Marten Jongema. The concerthall is not demonstrably empty or fuller by a good poster on the street. However, as Kees Maas puts it: “You can see posters as an expression of an institution that takes its role in culture seriously. They show that a program actually exists. ”.
