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The Modest Master's Mesmerizing Screen Print Shop

Source collection The Modest Master's Mesmerizing Screen Print Shop

Left over Look 01

Kees Maas, Billboard poster, Left Over Look, 1999-2003

Left Over Look 02

Kees Maas, Billboard poster, Left Over Look, 1999-2003

Left Over Look 03

Kees Maas, Billboard poster, Left Over Look, 1999-2003

Toos van Aken Achter de Ramen

Kees Maas has been living in the BO-01 housing complex since 1997, where he manages his own small exhibition space "Behind the Windows" on the corner of Feike de Boerlaan / Borneolaan. In addition to programming artists and helping with the installation of exhibitions, he also designs and prints the announcement posters.

Eric van Nimwegen Achter de Ramen

Kees Maas has been living in the BO-01 housing complex since 1997, where he manages his own small exhibition space "Achter de Ramen" on the corner of Feike de Boerlaan. In addition to programming artists and helping with the installation of exhibitions, he also designs and prints the announcement posters.

Bara Lockefeer

Kees Maas has been living in the BO-01 housing complex since 1997, where he manages his own small exhibition space "Achter de Ramen" on the corner of Feike de Boerlaan. In addition to programming artists and helping with the installation of exhibitions, he also designs and prints the announcement posters.

Portret Drukken I

Kees Maas, Billboard poster, from the series Portret drukken, 1999-2003

Portret Drukken II

Kees Maas, Billboard poster, from the series Portret drukken, 1999-2003

Portret Drukken III

Kees Maas, Billboard poster, from the series Portret drukken, 1999-2003

Hart I

Kees Maas, Billboard poster, from the series Hart, 1999-2003

Hart II

Kees Maas, Billboard poster, from the series Hart, 1999-2003

Hart III

Kees Maas, Billboard poster, from the series Hart, 1999-2003

3 t/m 8 I

Kees Maas, Billboard poster, from the series 3 t/m 8, 1999-2003

3 t/m 8 II

Kees Maas, Billboard poster, from the series 3 t/m 8, 1999-2003

3 t/m 8 III

Kees Maas, Billboard poster, from the series 3 t/m 8, 1999-2003

Charlotte Mouwens

Charlotte Mouwens Achter de Ramen, A2, 2016

Moniek Schrijver

Moniek Schrijver Achter de Ramen, A2, 2015

20 Studenten Karlsruhe

20 Studenten v/d Staatliche Akademie der Bildenden Künste Karlsruhe, A2, 2012

Gelezen DNA I

Kees Maas, Billboard poster, from the series Gelezen DNA, 1999-2003

Gelezen DNA II

Kees Maas, Billboard poster, from the series Gelezen DNA, 1999-2003

Gelezen DNA III

Kees Maas, Billboard poster, from the series Gelezen DNA, 1999-2003

Untitled I

Kees Maas, Billboard poster, from the series Untitled, 1999-2003

Untitled II

Kees Maas, Billboard poster, from the series Untitled, 1999-2003

Untitled III

Kees Maas, Billboard poster, from the series Untitled, 1999-2003

Talentenshow

With one day sometimes three programs it is no longer possible to give all activities of Paradiso its own poster, but between 1968 and 1996 there was plenty of design and printing in the basement of the pop temple. Among the many artists who designed Paradiso posters, Martin Kaye (1932-1989) is most notable: he was the longest serving designer and screen printer of Paradiso (1972-1983) and had a decisive influence on defining the image of Paradiso . He was succeeded by Kees Maas, Max Kisman and Marten Jongema. The concerthall is not demonstrably empty or fuller by a good poster on the street. However, as Kees Maas puts it: “You can see posters as an expression of an institution that takes its role in culture seriously. They show that a program actually exists. ”.

Israel Vibration

With one day sometimes three programs it is no longer possible to give all activities of Paradiso its own poster, but between 1968 and 1996 there was plenty of design and printing in the basement of the pop temple. Among the many artists who designed Paradiso posters, Martin Kaye (1932-1989) is most notable: he was the longest serving designer and screen printer of Paradiso (1972-1983) and had a decisive influence on defining the image of Paradiso . He was succeeded by Kees Maas, Max Kisman and Marten Jongema. The concerthall is not demonstrably empty or fuller by a good poster on the street. However, as Kees Maas puts it: “You can see posters as an expression of an institution that takes its role in culture seriously. They show that a program actually exists. ”.

Five Blind Boys of Alabama

With one day sometimes three programs it is no longer possible to give all activities of Paradiso its own poster, but between 1968 and 1996 there was plenty of design and printing in the basement of the pop temple. Among the many artists who designed Paradiso posters, Martin Kaye (1932-1989) is most notable: he was the longest serving designer and screen printer of Paradiso (1972-1983) and had a decisive influence on defining the image of Paradiso . He was succeeded by Kees Maas, Max Kisman and Marten Jongema. The concerthall is not demonstrably empty or fuller by a good poster on the street. However, as Kees Maas puts it: “You can see posters as an expression of an institution that takes its role in culture seriously. They show that a program actually exists. ”.

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