Jan van Toorn designed from 1981 to 1987 seven posters for a series of exhibitions called ‘Mens en omgeving (Man and environment) at the De Beyerd visual arts centre in Breda. The posters, each one built upon the same graphic framework – triangular fragments of Italian actress Sophia Loren and her son – represent the final stage in the gradual development of Van Toorn’s montage method of image- and textconstruction.
